Abstract
Seal The Expression: Meaning Dimension of Bâkî’s Hatem Ode
The superiority of the two artists who produce with the
same material is due to the way they use the material. The
master of an artist plays a key role in determining the value
of a work of art, but also reveals the success of the work of
art. Although the use of visual material in aesthetic form
is related to the form in plastic arts, the sense of hearing in
written works is used to evaluate the work of art. Whether
it is in plastic arts or written arts, the success of the work
depends on the mastery of the expression. This mastery in
written works, has revealed words and the way words are
used. If the artwork to be investigated is poetry and If you
are talking about a work of art that has broken away from
the social, economic, psychological, and cultural context of
the era it will become a bit more difficult to determine the
style of the artist.
Hâtem Ode, presented by Bâkî to Semiz Ali
Pasha, has a very remarkable structure in terms of meaning
and expression possibilities. It is possible to read it as
a poem with artful ornate pronunciations, 57 couplets eulogy
was presented to a grand vizier. However, when
relations between poetry style and words are resolved, it is
understood that poetry is not merely the lines presented to
show or to show the artistry of the poet.
Apart from the composition brought by the form on the
ode, on account of the composition feature created by Bâkî,
continuity of narration and changes in narrative can be
observed. One characteristic of Hâtem Ode is that there are
all traceable tracks among the couplets. So much so that in
the beginning the features of a seal, the materials used in the seal, the shape of the seal, the structure, the pieces. In
short, the stage of construction of the seal can be followed
in order.
Keywords
Bâkî, ode, seal, style, semantic stratum.